Tag Archives: Oprah Winfrey

Just say Noprah!

Barack Obama in large part started out like this: He gave a speech at the 2004 Democratic Party National Convention that a lot of people liked, and in no tiny part because of that single speech, he was made president of the United States of America after he hadn’t even completed a full six-year term in the U.S. Senate.

Now, billionaire celebrity Oprah Winfrey makes a speech that a lot of people like, and there is clamor for her to be president.

Just: No.

You’d think that by now we’d have learned our lesson about how smart it is to put a billionaire TV celebrity who’s never held any elected office into the White House, but Americans never fucking learn.

Of course Winfrey very probably would do a better job than “President” Pussygrabber is doing. But who wouldn’t?

You wouldn’t want your surgeon or even your veterinarian or even your car mechanic to have had no prior experience for the job, so why the fuck would you not demand that the person holding the most powerful job not only in the nation, but probably also in the world, have had some previous experience navigating Washington, D.C.?

What the fucking fuck?

Remember “President Dwayne Elizondo Mountain Dew Herbert Camacho” from the movie “Idiocracy”? He was a wrestler and porn star before he ascended to the Oval office. Here he is at a State of the Union address:

We’re already terrifyingly close to that with “President” Pussygrabber, but we have time to reverse course.

One fucking touching speech does not make a good president of the United States of America. Barack “Hope and Change” Obama, who unnecessarily lost the House of Representatives in November 2010 because he squandered his shitload of political capital in 2009 and 2010 and who thus was hamstrung for the final six fucking years of his eight-year presidency, is proof enough of that.

A boring-ass person who is progressive and who knows D.C. — like this guy:

— makes a good president.

I cast no aspersions on Oprah Winfrey’s intelligence or her leadership abilities. And I’m fine with a black woman being president — if she is qualified for the job.

But I went in blind when I voted for Obama in 2008 — yes, I more or less bought the viral “hope” and “change” bullshit, and I regret it — and right now we have a billionaire TV celebrity in the Oval Office, and every fucking day he makes it crystal fucking clear how important previous experience in elected governance at the federal level is to be POTUS. (Obama’s previous experience in D.C. of only four years was not enough experience, I believe his milquetoast-at-best presidency amply proved.)

I hope that President Oprah fever subsides quickly. I can’t vote for her, and should she actually emerge as the 2020 Democratic Party presidential candidate, I’ll remain an independent.

I want to return my party registration to the Democratic Party, but I can do so only when and if the party earns my loyalty and respect, and looking to billionaire TV celebrities instead of to experienced elected officials to fill the presidency isn’t the pathway there.

The United States of America is at the precipice on many fronts, and we cannot afford to take another chance on yet another unknown quantity occupying the Oval Office.

Just say Noprah.

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Worst. Oscars. Ever?

Oscars Live Report

Melissa Leo accepts the Oscar for best actress ...

AFP and Associated Press photos

The writers of this year’s Oscars ceremony couldn’t even make Anne Hathaway and James Franco in drag funny, and Melissa Leo’s accidental use of the f-word while accepting her best supporting actress Oscar was the biggest surprise of the evening.

I like James Franco and Anne Hathaway, and I had thought that they might actually make pretty decent Oscar hosts. I was wrong.

Much of it wasn’t their fault. The writing of the Oscars ceremony was for shit. Franco was unusually wooden, and Hathaway wasn’t as bouncy as I’d thought she might be. If she isn’t careful, the role that she played in Tim Burton’s “Alice in Wonderland” — that of the rather empty-headed White Queen — might come to define her.

But again, most of it was the writing. There were too many self-referential (and unfunny) lines about trying to capture the youthful audience with this year’s show and too few funny lines, period.

That “The King’s Speech” would win the most number of awards was a given, so there were few surprises.

When the most talked-about element of the show is that the best supporting actress winner accidentally uttered the f-word on live television (which was bleeped out due to a few seconds’ time delay, apparently), you know that there’s a problem.

I like Colin Firth — he was great in “A Single Man” — but his performance in “The King’s Speech” wasn’t the best performance of the year. Javier Bardem did a much better job in “Biutiful.”

I like Natalie Portman enough, but her Oscar win for best actress for “Black Swan” wasn’t the best performance of the year. Jennifer Lawrence did a better job in “Winter’s Bone.”

“The King’s Speech,” to me, suffered mostly from weak subject matter. That a former king of England overcame a stutter isn’t very compelling material, which one of the film’s producers seemed to admit himself in his acceptance speech for the Oscar for best picture — he indicated that he’d been concerned that no one would find the material worthy enough to back its production and distribution, if memory serves.

“The King’s Speech” is well made — well directed, well written, well acted, well designed, etc. (indeed, virtually every moment of the film screams out “Give me an Oscar already!” [and this screaming worked]) — but do those things matter when the storyline itself is so ho-hum? Just as “truthiness” has replaced the truth, is “Oscariness” going to replace actual Oscar-worthiness?

Admittedly, I have yet to see “The Social Network” or “Toy Story 3,” but that these two highly commercial films, along with the highly commercial “Inception” (which I did see), won so many nominations, including for best picture (for all three), makes me wonder in what direction the Oscars are headed. That a film is a commercial success doesn’t automatically mean that it isn’t Oscar-worthy, but it seems as though the Oscars are becoming more like the People’s Choice Awards.

And the tech-emphasis-heavy Oscars, including not just so many nods to “The Social Network” and “Inception,” but even a mildly-funny-at-best Auto-tune segment, tried way too hard to be hip.  

And do we really need 10 films nominated for best picture when in the other major categories (actor, actress, supporting actor, supporting actress and director) there are only five nominees? I’d like to see it reduced to no more than seven or eight nominees for best picture.

Finally, while I have no problem with Brits and Australians, the Brits and Australians on this year’s Oscars seemed to have outnumbered the Americans. Are we Americans this devoid of filmmaking excellence?

If we are, then maybe we should move the Oscars from Los Angeles to London or Sydney.

Just sayin’.

I consider the Oscars to be the “Gay Super Bowl,” and this year’s Gay Super Bowl was dismal.

P.S. Oprah Winfrey’s appearance on the Oscars was a little creepy — I once read someone refer to her as a corporation, and that’s fairly accurate — and ABC’s little corporate plug was offensive, but I do recommend that you see “Inside Job,” the winner for best documentary, the award that Winfrey announced.

“Inside Job,” about the Wall Street criminals who put our nation into economic collapse (um, yeah, it wasn’t the members of public-sector labor unions who did that), is a must-see, and I love the fact that the filmmaker, in his acceptance speech, pulled a mild Michael Moore and noted that not one of the Wall Street crooks has yet to see the inside of a jail cell for his or her crimes (which, in my book, amount to treason).

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